Shakespeare's historical thriller is misnamed, as this really is Marcus Brutus' story. The trusted general's traitorous turn is what tragedies are made of, and the Classical Actors Ensemble production wrings out plenty of angst, heartbreak and rage.
It takes time to get there. The first act is a slow burn, as the conspirators against Caesar move into position. A key piece to their plans is Brutus, who is worried about Caesar's descent into tyranny.
It's also down to Neal Beckman's Brutus. At first, he's overwhelmed by the role's depth, while his youthful, bookish look doesn't match our perceptions of the great general.
That changes with the savage assassination. It is as if Caesar is being taken down by a pack of wolves.
Not only does that intensify Beckman's character, but it lets Daniel Ian Joeck fully unleash his Mark Antony. The savagery moves from the Capitol to the streets, as the famed funeral speeches play more like a Trump rally.
Once director Randall J. Funk grabs us, he doesn't let go. Sounds of the raging mob and the climactic battle fill not just the stage, but even through the lobby. All of this mesmerizes, with a Julius Caesar that is as absorbing as it is brutal.
Ed Huyck is a Twin Cities theater critic.
